- AUDIO RECORDER ON DSLR RIG PORTABLE
- AUDIO RECORDER ON DSLR RIG PRO
- AUDIO RECORDER ON DSLR RIG PROFESSIONAL
Because the audio going to the DSLR was the same as the audio on the recorder, Pluraleyes should be able to sync up the files with 100% accuracy. If you took my advice and let the recorder roll for each interview, you’ll wind up with easy-to-edit sequences based on each audio file. Keep in mind that the headphone volume on the recorder will determine the signal level being sent to the DSLR.ĥ) When you get ready to edit, use the Pluraleyes plugin to sync up the DSLR footage with the files from your recorder. Just set the DSLR level manually (when you do your initial level settings test) to a setting that corresponds to the level you’re sending from the recorder. a battery dies in the middle of an interview and you lose the file you were recording). Since you need to stay light and move fast, don’t worry about using a Juicedlink or field mixer … This recording will be strictly a backup, in case something happens to the recorder (e.g. If you’re using a shotgun mic, just plug it directly into the audio recorder.ģ) Use one of the headphone jacks for your headphones, so that you can monitor the audio.Ĥ) Run a cord from the other headphone jack into your DSLR. In case the photo above is confusing, here’s a simplified diagram. You do NOT want to get something that splits the audio signal into left/right, you just want something that turns one jack into two. Be sure you’re getting something that says “share your music player with another listener” or something to that effect. You can get this at Kmart for three dollars. Just be aware that the Zoom is one of very few that allows for XLR inputs.Ģ) Use a headphone splitter (“doubler”) to give you two headphone jacks out of the recorder. By the way, I use a Zoom H4N, but there are a lot of audio recorders on the market, so it’s not the only game in town. At the beginning of each interview, start the recorder, and don’t stop it until you’ve finished the interview, even if you start and stop the DSLR several times. Since you’ll be using the same mic and recorder for the whole shoot, do a test before you leave to determine the proper settings. If you’re in a similar situation, you may be interested in the DSLR audio system I’ve developed:ġ) I run the audio source (a shotgun mic and/or a wireless mic receiver) directly into a digital audio recorder, and set the record levels in the recorder to give me a decent signal/noise ratio (leave yourself a lot of headroom). Unfortunately, for every one of those shoots I get, I have ten one-man-band shoots.
AUDIO RECORDER ON DSLR RIG PROFESSIONAL
Ideally, you’d hire a professional audio operator with a high-end field mixer who would adjust microphone levels on the fly, and record all the audio to a hard drive. Trying to sort out the best way to handle audio on a microbudget DSLR shoot can be a real challenge. Or I can also run dynamic compression on my vocal track without it messing up my fades on the music.This is a guest post by Alexander Fox, founder of CrewOfOne. This separation makes it much easier to edit things later, if I need to.įor example, if I mess up my timing on the outro, I can simply reposition the background music because it’s separate from the vocal track. I use this to separate our voices from the sounds (music, voicemail, sound clips, etc.). Of these features, the most important to me was the four-channel recording.
AUDIO RECORDER ON DSLR RIG PRO
AUDIO RECORDER ON DSLR RIG PORTABLE
After a lot of research, I settled on the Zoom H4n Portable Digital Recorder for the following reasons. I decided to buy an external recorder for the reliability and new features. That worked fine until I did something stupid: running too many CPU-intensive apps while recording. I used to record my podcasts directly into my computer with Audacity. For portability and feature-rich audio recording, the Zoom H4n Pro portable digital audio recorder works great for podcasting and DSLR video.